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fix sample examples

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This commit is contained in:
Felix Roos 2022-11-17 10:15:59 +01:00
parent f1ae8a17cf
commit 94a594c777
1 changed files with 6 additions and 6 deletions
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tutorial/tutorial.mdx
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@ -253,7 +253,7 @@ Using round brackets, we can create rhythmical sub-divisions based on three para
The first parameter controls how may beats will be played. The first parameter controls how may beats will be played.
The second parameter controls the total amount of segments the beats will be distributed over. The second parameter controls the total amount of segments the beats will be distributed over.
The third (optional) parameter controls the starting position for distributing the beats. The third (optional) parameter controls the starting position for distributing the beats.
One popular Euclidian rhythm (going by various names, such as "Pop Clave") is "(3,8,1)" or simply "(3,8)", One popular Euclidian rhythm (going by various names, such as "Pop Clave") is "(3,8,0)" or simply "(3,8)",
resulting in a rhythmical structure of "x ~ ~ x ~ ~ x ~" (3 beats over 8 segments, starting on position 1). resulting in a rhythmical structure of "x ~ ~ x ~ ~ x ~" (3 beats over 8 segments, starting on position 1).
<MiniRepl tune={`note("e5(2,8) b4(3,8) d5(2,8) c5(3,8)").slow(4)`} /> <MiniRepl tune={`note("e5(2,8) b4(3,8) d5(2,8) c5(3,8)").slow(4)`} />
@ -358,7 +358,7 @@ For pitched sounds, you can use `note`, just like with synths:
<MiniRepl <MiniRepl
tune={`samples({ tune={`samples({
"gtr": 'gtr/0001_cleanC.wav', 'gtr': 'gtr/0001_cleanC.wav',
}, 'github:tidalcycles/Dirt-Samples/master/'); }, 'github:tidalcycles/Dirt-Samples/master/');
note("g3 [bb3 c4] <g4 f4 eb4 f3>@2").s('gtr').gain(.5)`} note("g3 [bb3 c4] <g4 f4 eb4 f3>@2").s('gtr').gain(.5)`}
/> />
@ -368,7 +368,7 @@ If we want them to behave more like a synth, we can add `clip(1)`:
<MiniRepl <MiniRepl
tune={`samples({ tune={`samples({
"gtr": 'gtr/0001_cleanC.wav', 'gtr': 'gtr/0001_cleanC.wav',
}, 'github:tidalcycles/Dirt-Samples/master/'); }, 'github:tidalcycles/Dirt-Samples/master/');
note("g3 [bb3 c4] <g4 f4 eb4 f3>@2").s('gtr').clip(1) note("g3 [bb3 c4] <g4 f4 eb4 f3>@2").s('gtr').clip(1)
.gain(.5)`} .gain(.5)`}
@ -380,8 +380,8 @@ If we have 2 samples with different base pitches, we can make them in tune by sp
<MiniRepl <MiniRepl
tune={`samples({ tune={`samples({
"gtr": 'gtr/0001_cleanC.wav', 'gtr': 'gtr/0001_cleanC.wav',
"moog": { 'g3': 'moog/005_Mighty%20Moog%20G3.wav' }, 'moog': { 'g3': 'moog/005_Mighty%20Moog%20G3.wav' },
}, 'github:tidalcycles/Dirt-Samples/master/'); }, 'github:tidalcycles/Dirt-Samples/master/');
note("g3 [bb3 c4] <g4 f4 eb4 f3>@2").s("gtr,moog").clip(1) note("g3 [bb3 c4] <g4 f4 eb4 f3>@2").s("gtr,moog").clip(1)
.gain(.5)`} .gain(.5)`}
@ -393,7 +393,7 @@ We can also declare different samples for different regions of the keyboard:
<MiniRepl <MiniRepl
tune={`samples({ tune={`samples({
"moog": { 'moog': {
'g2': 'moog/004_Mighty%20Moog%20G2.wav', 'g2': 'moog/004_Mighty%20Moog%20G2.wav',
'g3': 'moog/005_Mighty%20Moog%20G3.wav', 'g3': 'moog/005_Mighty%20Moog%20G3.wav',
'g4': 'moog/006_Mighty%20Moog%20G4.wav', 'g4': 'moog/006_Mighty%20Moog%20G4.wav',