From 94a594c7773dbbebfb85ef51d142d098644dacad Mon Sep 17 00:00:00 2001 From: Felix Roos Date: Thu, 17 Nov 2022 10:15:59 +0100 Subject: [PATCH] fix sample examples --- tutorial/tutorial.mdx | 12 ++++++------ 1 file changed, 6 insertions(+), 6 deletions(-) diff --git a/tutorial/tutorial.mdx b/tutorial/tutorial.mdx index de12742e..d62f3e79 100644 --- a/tutorial/tutorial.mdx +++ b/tutorial/tutorial.mdx @@ -253,7 +253,7 @@ Using round brackets, we can create rhythmical sub-divisions based on three para The first parameter controls how may beats will be played. The second parameter controls the total amount of segments the beats will be distributed over. The third (optional) parameter controls the starting position for distributing the beats. -One popular Euclidian rhythm (going by various names, such as "Pop Clave") is "(3,8,1)" or simply "(3,8)", +One popular Euclidian rhythm (going by various names, such as "Pop Clave") is "(3,8,0)" or simply "(3,8)", resulting in a rhythmical structure of "x ~ ~ x ~ ~ x ~" (3 beats over 8 segments, starting on position 1). @@ -358,7 +358,7 @@ For pitched sounds, you can use `note`, just like with synths: @2").s('gtr').gain(.5)`} /> @@ -368,7 +368,7 @@ If we want them to behave more like a synth, we can add `clip(1)`: @2").s('gtr').clip(1) .gain(.5)`} @@ -380,8 +380,8 @@ If we have 2 samples with different base pitches, we can make them in tune by sp @2").s("gtr,moog").clip(1) .gain(.5)`} @@ -393,7 +393,7 @@ We can also declare different samples for different regions of the keyboard: