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docs: use note instead of n to mitigate confusion
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@ -1736,27 +1736,6 @@ exports[`runs examples > example "fastGap" example index 0 1`] = `
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]
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`;
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exports[`runs examples > example "fastcat" example index 0 1`] = `
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[
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"[ 0/1 → 1/3 | e5 ]",
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"[ 1/3 → 2/3 | b4 ]",
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"[ 2/3 → 5/6 | d5 ]",
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"[ 5/6 → 1/1 | c5 ]",
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"[ 1/1 → 4/3 | e5 ]",
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"[ 4/3 → 5/3 | b4 ]",
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"[ 5/3 → 11/6 | d5 ]",
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"[ 11/6 → 2/1 | c5 ]",
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"[ 2/1 → 7/3 | e5 ]",
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"[ 7/3 → 8/3 | b4 ]",
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"[ 8/3 → 17/6 | d5 ]",
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"[ 17/6 → 3/1 | c5 ]",
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"[ 3/1 → 10/3 | e5 ]",
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"[ 10/3 → 11/3 | b4 ]",
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"[ 11/3 → 23/6 | d5 ]",
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"[ 23/6 → 4/1 | c5 ]",
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]
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`;
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exports[`runs examples > example "firstOf" example index 0 1`] = `
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[
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"[ 3/4 → 1/1 | note:c3 ]",
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@ -3484,19 +3463,6 @@ exports[`runs examples > example "sine" example index 0 1`] = `
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]
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`;
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exports[`runs examples > example "size" example index 0 1`] = `
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[
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"[ 0/1 → 1/2 | s:bd room:0.8 size:0 ]",
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"[ 1/2 → 1/1 | s:sd room:0.8 size:0 ]",
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"[ 1/1 → 3/2 | s:bd room:0.8 size:1 ]",
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"[ 3/2 → 2/1 | s:sd room:0.8 size:1 ]",
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"[ 2/1 → 5/2 | s:bd room:0.8 size:2 ]",
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"[ 5/2 → 3/1 | s:sd room:0.8 size:2 ]",
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"[ 3/1 → 7/2 | s:bd room:0.8 size:4 ]",
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"[ 7/2 → 4/1 | s:sd room:0.8 size:4 ]",
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]
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`;
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exports[`runs examples > example "slow" example index 0 1`] = `
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[
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"[ 0/1 → 1/1 | s:bd ]",
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File diff suppressed because it is too large
Load Diff
@ -60,7 +60,7 @@ s("bd,[~ <sd!3 sd(3,4,2)>],hh*8") // drums
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.off(1/8,x=>x.add(12).degradeBy(.5)) // random octave jumps
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.add(perlin.range(0,.5)) // random pitch variation
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.superimpose(add(.05)) // add second, slightly detuned voice
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.n() // wrap in "n"
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.note() // wrap in "note"
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.decay(.15).sustain(0) // make each note of equal length
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.s('sawtooth') // waveform
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.gain(.4) // turn down
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@ -68,7 +68,7 @@ s("bd,[~ <sd!3 sd(3,4,2)>],hh*8") // drums
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,"<Am7!3 <Em7 E7b13 Em7 Ebm7b5>>".voicings('lefthand') // chords
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.superimpose(x=>x.add(.04)) // add second, slightly detuned voice
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.add(perlin.range(0,.5)) // random pitch variation
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.n() // wrap in "n"
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.note() // wrap in "note"
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.s('sawtooth') // waveform
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.gain(.16) // turn down
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.cutoff(500) // fixed cutoff
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@ -20,15 +20,17 @@ You can learn more about both of these approaches in the pages [Synths](/learn/s
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# Combining notes and sounds
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In both of the above cases, we are no longer directly controlling the `note`/`n`/`freq` of the sound heard via `s`, as we were in the [Notes](/strudel/notes) page.
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In both of the above cases, we are no longer directly controlling the `note`/`freq` of the sound heard via `s`, as we were in the [Notes](/strudel/notes) page.
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So how can we both control the sound and the pitch? We can _combine_ `note`/`n`/`freq` with `s` to change the sound of our pitches:
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So how can we both control the sound and the pitch? We can _combine_ `note`/`freq` with `s` to change the sound of our pitches:
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<MiniRepl client:idle tune={`note("a3 c#4 e4 a4").s("sawtooth")`} />
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<MiniRepl client:idle tune={`n("57 61 64 69").s("triangle")`} />
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<MiniRepl client:idle tune={`note("57 61 64 69").s("sine")`} />
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<MiniRepl client:idle tune={`freq("220 275 330 440").s("sine")`} />
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<MiniRepl client:idle tune={`freq("220 275 330 440").s("triangle")`} />
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The last example will actually sound the same with or without `s`, because `triangle` is the default value for `s`.
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What about combining different notes with different sounds at the same time?
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@ -37,5 +39,3 @@ What about combining different notes with different sounds at the same time?
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Hmm, something interesting is going on there, related to there being five notes and three sounds.
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Let's now take a step back and think about the Strudel [Code](/learn/code) we've been hearing so far.
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<br />
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@ -466,14 +466,14 @@ samples({
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stack(
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"-7 0 -7 7".struct("x(5,8,1)").fast(2).sub(7)
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.scale(scales)
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.n()
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.note()
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.s("sawtooth,square")
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.gain(.3).attack(0.01).decay(0.1).sustain(.5)
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.apply(filter1),
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"~@3 [<2 3>,<4 5>]"
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.echo(4,1/16,.7)
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.scale(scales)
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.n()
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.note()
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.s('square').gain(.7)
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.attack(0.01).decay(0.1).sustain(0)
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.apply(filter1),
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@ -484,7 +484,7 @@ stack(
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.fast(2)
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.echo(32, 1/8, .8)
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.scale(scales)
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.n()
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.note()
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.s("sawtooth")
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.gain(sine.range(.1,.4).slow(8))
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.attack(.001).decay(.2).sustain(0)
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@ -527,7 +527,7 @@ stack(
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.off(1/8,x=>x.add(12).degradeBy(.5)) // random octave jumps
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.add(perlin.range(0,.5)) // random pitch variation
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.superimpose(add(.05)) // add second, slightly detuned voice
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.n() // wrap in "n"
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.note() // wrap in "note"
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.decay(.15).sustain(0) // make each note of equal length
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.s('sawtooth') // waveform
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.gain(.4) // turn down
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@ -536,7 +536,7 @@ stack(
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,"<Am7!3 <Em7 E7b13 Em7 Ebm7b5>>".voicings('lefthand') // chords
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.superimpose(x=>x.add(.04)) // add second, slightly detuned voice
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.add(perlin.range(0,.5)) // random pitch variation
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.n() // wrap in "n"
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.note() // wrap in "note"
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.s('sawtooth') // waveform
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.gain(.16) // turn down
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.cutoff(500) // fixed cutoff
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@ -545,7 +545,7 @@ stack(
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,"a4 c5 <e6 a6>".struct("x(5,8,-1)")
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.superimpose(x=>x.add(.04)) // add second, slightly detuned voice
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.add(perlin.range(0,.5)) // random pitch variation
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.n() // wrap in "n"
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.note() // wrap in "note"
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.decay(.1).sustain(0) // make notes short
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.s('triangle') // waveform
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.degradeBy(perlin.range(0,.5)) // randomly controlled random removal :)
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@ -565,12 +565,12 @@ samples({
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"C^7 Am7 Dm7 G7".slow(2).voicings('lefthand')
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.stack("0@6 [<1 2> <2 0> 1]@2".scale('C5 major'))
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.n().slow(4)
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.note().slow(4)
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.s('0040_FluidR3_GM_sf2_file')
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.color('steelblue')
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.stack(
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"<-7 ~@2 [~@2 -7] -9 ~@2 [~@2 -9] -10!2 ~ [~@2 -10] -5 ~ [-3 -2 -10]@2>*2".scale('C3 major')
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.n().s('sawtooth').color('brown')
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.note().s('sawtooth').color('brown')
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)
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.attack(0.05).decay(.1).sustain(.7)
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.cutoff(perlin.range(800,2000))
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