minor amendments

website/src/pages/understand/voicings.mdx

@@ -14,7 +14,7 @@ I'll try to keep theory jargon to a minimum, so hopefully this is approachable f
 
 ## What is a chord
 
-Playing more than one note at a time is generally called a chord. Here's an example:
+Playing more than one note at a time is generally called a `chord`. Here's an example:
 
 <MiniRepl client:visible tune={`note("<[c3,eb3,g3] [f3,a3,c4]>").room(.5)`} />
 
@@ -24,7 +24,7 @@ Here's the same with midi numbers:
 
 Here, we have two 3-note chords played in a loop.
 You could already stop here and write chords in this style, which is totally fine and gives you control over individual notes.
-One downside is that it can be difficult to find good sounding chords and maybe you're yearning for a way to organize chords in some other way..
+One downside is that it can be difficult to find good sounding chords and maybe you're yearning for a way to organize chords in some other way.
 
 ## Labeling Chords
 
@@ -49,16 +49,16 @@ These 4 shapes are the most common types of `triads` you will encounter:
 
 | shape | label      |
 | ----- | ---------- |
-| 0,3,6 | diminished |
-| 0,3,7 | minor      |
 | 0,4,7 | major      |
+| 0,3,7 | minor      |
+| 0,3,6 | diminished |
 | 0,4,8 | augmented  |
 
 Here they are in succession:
 
 <MiniRepl
   client:visible
-  tune={`note("<[0,3,6] [0,3,7] [0,4,7] [0,4,8]>".add("60"))
+  tune={`note("<[0,4,7] [0,3,7] [0,3,6] [0,4,8]>".add("60"))
 .room(.5)._pitchwheel()`}
 />
 
@@ -76,14 +76,14 @@ a e a e
 >\`)).room(.5)`}
 />
 
-These are the chords for "The house of the rising sun" by The Animals.
+These are the chords for "The House of the Rising Sun" by The Animals.
-So far it doesn't sound too exiting but at least it's recognizable..
+So far, it doesn't sound too exciting, but at least it's recognizable.
 
 ## Voicings
 
-A `voicing` is one of many ways a certain chord shape could be played.
+A `voicing` is one of many ways a certain chord shape can be arranged.
-The term comes from choral music, where chords can be sung in different ways by changing which voice sings which note.
+The term comes from choral music, where chords can be sung in different ways by assigning different notes to each voice.
-For example we could add 12 to one or more notes in the chord:
+For example we could add 12 semitones to one or more notes in the chord:
 
 <MiniRepl
   client:visible
@@ -91,7 +91,7 @@ For example we could add 12 to one or more notes in the chord:
 .room(.5)`}
 />
 
-Notes that are 12 steps apart (= 1 `octave`) are considered to be equal in a harmonic sense, which is why they get the same note letter.
+Notes that are 12 semitone steps apart (= 1 `octave`) are considered to be equal in a harmonic sense, which is why they get the same note letter.
 Here's the same example with note letters:
 
 <MiniRepl
@@ -100,7 +100,7 @@ Here's the same example with note letters:
 .room(.5)`}
 />
 
-This type of voicings are also called `inversions`. There are many other ways we could `voice` this minor chord:
+These types of voicings are also called `inversions`. There are many other ways we could `voice` this minor chord:
 
 <MiniRepl
   client:visible
@@ -131,18 +131,20 @@ a e a e
   punchcard
 />
 
-These voicings make the chords sound more connected and less jumpy, compared to the version without voicings.
+These voicings make the chords sound more connected and less jumpy, compared to the earlier version, which didn't focus on voicing.
-The way chords interact is also called `voice leading`, reminiscent of how a choir voice would move through a sequence of chords.
+The way chords interact is also called `voice leading`, reminiscent of how an
+individual choir voice would move through a sequence of chords.
 
-For example, try singing the top voice in the above example. Then try the same on the example without voice leading. Which one's easier?
+For example, try singing the top voice in the above example. Then try the same
+on the example not focusing on voice leading. Which one's easier?
 
-Naturally, there are many ways a progression of chords could be voiced and there is no clear right or wrong.
+Naturally, there are many ways a progression of chords could be voiced and there is no definitive right or wrong.
 
 ## Chord Symbols
 
-Musicians playing chord-based music often rely on a so called lead sheet, which is a simplified notation of a music piece.
+Musicians playing chord-based music often use a `lead sheet`, which is a simplified notation for a piece of music.
-The chords in those lead sheets are notated with symbols that allow a piece to be notated in a very concise manner.
+These sheets condense the essential elements, such as chords, into symbols that make the music easy to read and follow.
-A common way to write the chords "The House of the Rising Sun" would be:
+For example, a lead sheet for "The House of the Rising Sun" might include chords written like this:
 
 ```
 Am | C | D  | F
@@ -226,7 +228,7 @@ Some symbols are synonymous:
 - "^" is the same as "M", for example C^7 = CM7
 - "+" is the same as "aug"
 
-You can decide which one's you prefer. There is no international standard for these symbols.
+You can decide which ones you prefer. There is no international standard for these symbols.
 To get a full chord, the symbols have to be prefixed with a root pitch, e.g. D7#11 is the 7#11 chord relative to the pitch D.
 
 Here are all possible chords with root C: