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Merge pull request #162 from larkob/euclidian
update to tutorial documentation
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commit
71dc108b2d
@ -1014,13 +1014,6 @@ export class Pattern {
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return this._chunk(n, func, true);
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}
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edit(...funcs) {
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return stack(...funcs.map((func) => func(this)));
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}
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pipe(func) {
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return func(this);
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}
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_bypass(on) {
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on = Boolean(parseInt(on));
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return on ? silence : this;
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@ -306,7 +306,7 @@ const drums = stack(
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const thru = (x) => x.transpose("<0 1>/8").transpose(-1);
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const synths = stack(
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"<eb4 d4 c4 b3>/2".scale(timeCat([3,'C minor'],[1,'C melodic minor']).slow(8)).struct("[~ x]*2")
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.edit(
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.layer(
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scaleTranspose(0).early(0),
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scaleTranspose(2).early(1/8),
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scaleTranspose(7).early(1/4),
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@ -517,7 +517,7 @@ const snare = noise({type:'white',...adsr(0,0.2,0)}).chain(lowpass(5000),vol(1.8
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const s = polysynth().set({...osc('sawtooth4'),...adsr(0.01,.2,.6,0.2)}).chain(vol(.23).connect(delay),out());
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stack(
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stack(
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"0 1 4 [3!2 5]".edit(
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"0 1 4 [3!2 5]".layer(
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// chords
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x=>x.add("0,3").duration("0.05!3 0.02"),
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// bass
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@ -32,14 +32,14 @@ const drums = stack(
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const thru = (x) => x.transpose("<0 1>/8").transpose(-1);
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const synths = stack(
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"<eb4 d4 c4 b3>/2".scale(timeCat([3,'C minor'],[1,'C melodic minor']).slow(8)).struct("[~ x]\*2")
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.edit(
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.layer(
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scaleTranspose(0).early(0),
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scaleTranspose(2).early(1/8),
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scaleTranspose(7).early(1/4),
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scaleTranspose(8).early(3/8)
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).edit(thru).tone(keys).bypass("<1 0>/16"),
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"<C2 Bb1 Ab1 [G1 [G2 G1]]>/2".struct("[x [~ x] <[~ [~ x]]!3 [x x]>@2]/2".fast(2)).edit(thru).tone(bass),
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"<Cm7 Bb7 Fm7 G7b13>/2".struct("~ [x@0.1 ~]".fast(2)).voicings().edit(thru).every(2, early(1/8)).tone(keys).bypass("<0@7 1>/8".early(1/4))
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).layer(thru).tone(keys).bypass("<1 0>/16"),
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"<C2 Bb1 Ab1 [G1 [G2 G1]]>/2".struct("[x [~ x] <[~ [~ x]]!3 [x x]>@2]/2".fast(2)).layer(thru).tone(bass),
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"<Cm7 Bb7 Fm7 G7b13>/2".struct("~ [x@0.1 ~]".fast(2)).voicings().layer(thru).every(2, early(1/8)).tone(keys).bypass("<0@7 1>/8".early(1/4))
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)
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stack(
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drums.fast(2),
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@ -175,11 +175,21 @@ Using "!" we can repeat without speeding up:
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In essence, the `x!n` is like a shortcut for `[x*n]@n`.
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## Euclidian
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Using round brackets, we can create rhythmical sub-divisions based on three parameters: beats, segments and offset.
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The first parameter controls how may beats will be played.
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The second parameter controls the total amount of segments the beats will be distributed over.
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The third (optional) parameter controls the starting position for distributing the beats.
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One popular Euclidian rhythm (going by various names, such as "Pop Clave") is "(3,8,1)" or simply "(3,8)",
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resulting in a rhythmical structure of "x ~ ~ x ~ ~ x ~" (3 beats over 8 segments, starting on position 1).
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<MiniRepl tune={`"e5(2,8) b4(3,8) d5(2,8) c5(3,8)".slow(4)`} />
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## Mini Notation TODO
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Compared to [tidal mini notation](https://tidalcycles.org/docs/patternlib/tutorials/mini_notation/), the following mini notation features are missing from Strudel:
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- [x] Euclidean algorithm "c3(3,2,1)" TODO: document
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- [ ] Tie symbols "\_"
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- [ ] feet marking "."
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- [ ] random choice "|"
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@ -436,12 +446,6 @@ Applies the given function by the given time offset:
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<MiniRepl tune={`"c3 eb3 g3".off(1/8, add(7))`} />
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### append(pat)
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Appends the given pattern after the current pattern:
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<MiniRepl tune={`"c4,eb4,g4".append("c4,f4,ab4")`} />
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### stack(pat)
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Stacks the given pattern to the current pattern:
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@ -643,10 +647,10 @@ Turns chord symbols into root notes of chords in given octave.
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<MiniRepl tune={`"<C^7 A7b13 Dm7 G7>".rootNotes(3)`} />
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Together with edit, struct and voicings, this can be used to create a basic backing track:
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Together with layer, struct and voicings, this can be used to create a basic backing track:
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<MiniRepl
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tune={`"<C^7 A7b13 Dm7 G7>".edit(
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tune={`"<C^7 A7b13 Dm7 G7>".layer(
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x => x.voicings(['d3','g4']).struct("~ x"),
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x => x.rootNotes(2).tone(synth(osc('sawtooth4')).chain(out()))
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)`}
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