diff --git a/website/src/pages/workshop/first-sounds.mdx b/website/src/pages/workshop/first-sounds.mdx index 4e374001..9c33cdc3 100644 --- a/website/src/pages/workshop/first-sounds.mdx +++ b/website/src/pages/workshop/first-sounds.mdx @@ -270,16 +270,16 @@ This is shorter and more readable than: Now we've learned the basics of the so called Mini-Notation, the rhythm language of Tidal. This is what we've learned so far: -| Concept | Syntax | Example | -| ------------------- | -------- | ----------------------------------------------------------------------- | -| Sequence | space | | -| Sample Number | :x | | -| Rests | - or ~ | | -| Alternate | \<\> | ")`} /> | -| Sub-Sequences | \[\] | | -| Sub-Sub-Sequences | \[\[\]\] | | -| Speed up | \* | | -| Parallel | , | | +| Concept | Syntax | Example | +| ----------------- | -------- | ----------------------------------------------------------------------- | +| Sequence | space | | +| Sample Number | :x | | +| Rests | - or ~ | | +| Alternate | \<\> | ")`} /> | +| Sub-Sequences | \[\] | | +| Sub-Sub-Sequences | \[\[\]\] | | +| Speed up | \* | | +| Parallel | , | | The Mini-Notation is usually used inside some function. These are the functions we've seen so far: diff --git a/website/src/pages/workshop/pattern-effects.mdx b/website/src/pages/workshop/pattern-effects.mdx index e9587d73..5afe862c 100644 --- a/website/src/pages/workshop/pattern-effects.mdx +++ b/website/src/pages/workshop/pattern-effects.mdx @@ -164,7 +164,6 @@ off is also useful for modifying other sounds, and can even be nested: .off(3/16, y=>y.vowel("*8")))`} /> - | name | description | example | | ---- | ------------------------------ | ------------------------------------------------------------------------------------------- | | rev | reverse | |