diff --git a/website/src/pages/workshop/first-sounds.mdx b/website/src/pages/workshop/first-sounds.mdx
index 4e374001..9c33cdc3 100644
--- a/website/src/pages/workshop/first-sounds.mdx
+++ b/website/src/pages/workshop/first-sounds.mdx
@@ -270,16 +270,16 @@ This is shorter and more readable than:
Now we've learned the basics of the so called Mini-Notation, the rhythm language of Tidal.
This is what we've learned so far:
-| Concept | Syntax | Example |
-| ------------------- | -------- | ----------------------------------------------------------------------- |
-| Sequence | space | |
-| Sample Number | :x | |
-| Rests | - or ~ | |
-| Alternate | \<\> | ")`} /> |
-| Sub-Sequences | \[\] | |
-| Sub-Sub-Sequences | \[\[\]\] | |
-| Speed up | \* | |
-| Parallel | , | |
+| Concept | Syntax | Example |
+| ----------------- | -------- | ----------------------------------------------------------------------- |
+| Sequence | space | |
+| Sample Number | :x | |
+| Rests | - or ~ | |
+| Alternate | \<\> | ")`} /> |
+| Sub-Sequences | \[\] | |
+| Sub-Sub-Sequences | \[\[\]\] | |
+| Speed up | \* | |
+| Parallel | , | |
The Mini-Notation is usually used inside some function. These are the functions we've seen so far:
diff --git a/website/src/pages/workshop/pattern-effects.mdx b/website/src/pages/workshop/pattern-effects.mdx
index e9587d73..5afe862c 100644
--- a/website/src/pages/workshop/pattern-effects.mdx
+++ b/website/src/pages/workshop/pattern-effects.mdx
@@ -164,7 +164,6 @@ off is also useful for modifying other sounds, and can even be nested:
.off(3/16, y=>y.vowel("*8")))`}
/>
-
| name | description | example |
| ---- | ------------------------------ | ------------------------------------------------------------------------------------------- |
| rev | reverse | |